Saturday, 22 March 2008
Fibreart review of 'Pricked'
American Textile Art magazine 'Fiberart' review of Pricked:Extreme Embroidery. Click on the image to enlarge text.
Phrenology - (Red Riding Hood) Small Enough to be Eaten
Thursday, 20 March 2008
Phrenology - (Wolf) Big Enough to Eat You
This is the first in a new series of Phrenology pieces. This one is based on a wolf, the other two in this new set are rabbits. I'm adding final details to the others but will post them soon. I'm working against the clock - but hopefully these will be showing at the Scope Art Fair in New York with Gallery 'Jack the Pelican Presents'. The first Phrenology series will also be transferring to 'Jack the Pelican' when the 'Pricked: Extreme Embroidery' exhibition closes on the 28th of April
Monday, 17 March 2008
'we make money not art'
Just a quickie. I love the 'we make money not art' website and they've just done a great review of the 'Pricked: Extreme Embroidery' exhibition. Please click to see the review and have a look around the fantastic site.
http://www.we-make-money-not-art.com/archives/2008/03/pricked-extreme-embroidery.php
http://www.we-make-money-not-art.com/archives/2008/03/pricked-extreme-embroidery.php
Wednesday, 12 March 2008
scraps for phrenology
Tuesday, 11 March 2008
Burnett & Catt recycled costume commission - designs
We've been commissioned to design a new costume made of recycled materials to help promote recycling. This is the initial design sheet. Its based on a late Baroque Madame Pompadour/ Marie-Antoinette style character with a powdered wig created from old knitwear. The main part of the gown to be created from used carriers and foil packaging, embroidered and woven onto
a fabric backing. The shape of the dress is based loosely on tree roots - carrier bags wrapped around a padded framework of spiralling curls. The bodice can be heavily stitched and patterned. The wings to be attached to fibre rods, we're imagining a loose and delicate filigree of stitched plastics. The gown to be sleeveless but finished with a set of heavily embellished bands at the forearm and a sash of flowers created from plastics (bottle bottoms/ carriers etc). A pair of fans will finish the outfit and enable the actor to create shape and character. As far as possible we will will limit the palette, we're imagining white with greens and maybe a touch of purple / blue, but this really depends on what materials we find. There is also scope to create little creatures, birds/ butterflies etc, and hide them within the wig and folds of the dress to add interest. We'd aim to make the costume look sumptous and baroque, with closer inspection revealing the nature of the materials used to create it.
a fabric backing. The shape of the dress is based loosely on tree roots - carrier bags wrapped around a padded framework of spiralling curls. The bodice can be heavily stitched and patterned. The wings to be attached to fibre rods, we're imagining a loose and delicate filigree of stitched plastics. The gown to be sleeveless but finished with a set of heavily embellished bands at the forearm and a sash of flowers created from plastics (bottle bottoms/ carriers etc). A pair of fans will finish the outfit and enable the actor to create shape and character. As far as possible we will will limit the palette, we're imagining white with greens and maybe a touch of purple / blue, but this really depends on what materials we find. There is also scope to create little creatures, birds/ butterflies etc, and hide them within the wig and folds of the dress to add interest. We'd aim to make the costume look sumptous and baroque, with closer inspection revealing the nature of the materials used to create it.
Sunday, 2 March 2008
sheep unveiling
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